Katy Deepwell. Professor of K Deepwell. Universitat de Paint stripping: Katy Deepwell on feminist possibilities in painting after modernism. K Deepwell. Katy Deepwell wrote her PhD on ‘Women Artists in Britain between the Two World Wars’ (London, Birkbeck College, ). Her PhD research was published as. This conversation between Maureen Connor and Katy Deepwell, editor of n. para – doxa, took place in New York in March Maureen Connor: Let’s start by.

Author: Maujinn Kasida
Country: Australia
Language: English (Spanish)
Genre: Finance
Published (Last): 8 April 2013
Pages: 430
PDF File Size: 17.50 Mb
ePub File Size: 2.68 Mb
ISBN: 276-8-78501-521-9
Downloads: 50617
Price: Free* [*Free Regsitration Required]
Uploader: Sacage

The 10 lessons of this course on feminism and derpwell art are free. Do the lessons at your own pace, anytime.

KT press, Registered in London Company no. Katy Deepwell is an art critic and lecturer, based in London. Follow the links below to find out more information on her work over recent years in: To contact the editor, email: Sept Juneshe was on research leave as a Leverhulme Research Fellow.

She has worked as a lecturer in art theory and twentieth kxty art history at a number of different colleges in Britain: About her work as Editor: Open and Critical Enquiry: Valiz publishers, pp.


Women Artists from Ireland an anthology of 16 interviews, London: Rosspen Publishing House,an anthology of 27 texts translated for the first time in Russian. Manchester University Press, Editor Africa and Art Criticism: Critical StrategiesManchester University Press, Higher Education, Gender and Neoliberalism Series: Palgrave Studies in Gender and Education: Feminist Aesthetics and Philosophy of Art: Unknown Heroine – A Reader London: New Debates 3 Vitoria-Gasteiz: JRP Ringier, English, pp.


Fragen und Antworten Weimar, Edition Eselsweg, Text deelwell German and English. Konstfack, published for the Sollentuna Art Fair, Stockholm. Changing Society and Art Tokyo: Moualla ed Visual Poetics U. Ministry of Culture, Govt. Steyn ed Beyond Identity: Vol 1 Louise Bourgeois Oxford: MOMApp. Women Artists in Britain’ in Sybil Oldfield, ed. Rewind, Remix and Pump up the Volume!

Kenjo Yoshida and Brian Durrans. Galerie im Taxispalais, June Curation of ‘Dreams of the Future: Living in the Technological Age. Museum of Contemporary Art, March Text in Croatian and English. Soros Centre, August A major international exhibition. Marian and Dorothy short essay, Freud Museum, October Resonances Bratislava, Slovakia May Jacki Parry Ways of Editing Glasgow: The Paper Workshop, September Chila Kumari Burman’, exhibition catalogue, Genders and Nations: Shirin Neshat,Chila Burman curator: Catalogue Essay for Jacqueline Morreau: Three Moments of Modernism.

Introductory essay for special report on Asian women artists, also guest editor of this issue commissioning 12 writers from across Asia. Why is a feminist journal not redundant? Feministische Arbeitschefte zur Politik Switzerland Heft. Republished in Russian in anthology Austria, Graz pp. An Anthology, Blackwells, Also editor of this issue on Painting. Revista de arte vizuale Bucharest Nr.

Asian Contemporary Art and Culture vol 2.

Katy Deepwell | Middlesex University –

Museo de Belles Artes, Curator: Mayproduced by Drepwell collective Shto Delat? Indiana University Press, Adams The Emptiness of the Image: Keynote and Organiser of international event, celebrating 20 years of n.


What Happened to Feminism in Contemporary Art? Curated by Carol Tulloch. May ‘When is Feminism?: Chair of Panel Discussion on Artistic Research. Michael Ann Holly and Mark Ledbury. Arte y Ciberfeminismo, Seville, Spain curator: September ‘Cultural knowledge, genealogies and the problem of geo-political location s producing ethnocentrism s in feminist theory’ University of Bielefeld, Germany.

April exhibition symposium for Sanja Ivekovic: Conference paper published in full in Zarez Croatia: September Conference Paper, Co-operation international conference of feminist art and theory, Dubrovnik, Croatia.

An international panel arranged to present the work of women artists groups from Britain, Denmark, Switzerland, Germany and Ireland to an American audience July On the Question of Paint: Feb Liverpool Hope University, guest jaty.

Jan “Begriff im Bild” day conference, Bremen Kunstlerhaus. November Cardiff School of Art. November Chisenhale Gallery, London. Discussion with Jemima Stehli and Maria Lind. October Konstfack, Stockholm, Sweden. January Glasgow School of Fine Art.